Jesse Jones / Tremble Tremble
27 October 2018 – 26 January 2019
Sitting somewhere between sculpture, film and theatre, Tremble Tremble evolves each time it is shown, becoming part of its context. The artwork’s new world order – feminist, uncompromising, magical and mythical - churns testimony, court statements and song into a towering bodily incantation. 'Did I disturb ye good people? I hopes I disturb ye, I hopes I disturb ye enough to want to see this, your house, in ruins all around ye! Have you had enough yet? Or do you still have time for chaos? Hah? More?'
Bewitching audiences from Venice, to Singapore, to Dublin, Tremble Tremble now arrives in Edinburgh, performed daily in Talbot Rice Gallery’s magnificent Georgian Gallery.
Featuring:
- Performer and Artistic Collaborator: Olwen Fouéré
- Sound Design and Composition: Susan Stenger
- Production Manager & AV Programmer: Aaron Kelly
- Exhibition Dramaturg: Tessa Giblin
- Object Fabrication: Rachel Fallon, James L Hayes and Catriona Gilbert
- Performers: Katie Dibb, Tamara Elkins, Fiona Halliday and Connie Hurley
#trembletremble #CultureIrelandGB18
Tremble Tremble was commissioned and curated by Talbot Rice Gallery Director, Tessa Giblin, for Ireland at Venice, an initiative of Culture Ireland in partnership with the Arts Council, for the 57th Venice Biennale in 2017. Tremble Tremble was originally produced and supported by Project Arts Centre; Principal Sponsor: Dublin Port Company; International Partner: LASALLE College of the Arts, Singapore; Production Partner: Institute of Art, Design + Technology (IADT); Proudly supported by CIT Crawford College of Art & Design; Talbot Rice Gallery, Edinburgh College of Art and the University of Edinburgh; South Dublin County Council and Rua Red; Dublin City Council; Dublin City Gallery The Hugh Lane; the Irish Museum of Modern Art. The presentation in Edinburgh has been supported by Creative Scotland, and Culture Ireland as part of GB18: Promoting Irish Arts in Britain.
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Exhibition Guide
The Exhibition Guide and installation views are available here
Written by
Tessa Giblin and James Clegg